One hundred years ago, the Eastman Kodak Company introduced a shiny new camera that promised to revolutionize moviemaking.
The technical marvel, however, wasn’t just the camera but also the film inside.
Until 1923, the film used most commonly in motion pictures was 35 millimeters wide.
Until digital video arrived in the late 1990s, 16-millimeter film was the mainstay of the amateur or independent filmmaker, requiring neither the investment nor the know-how of commercial cinema.
The third film, “Black Faces” from 1970, was an ebullient, one-minute montage of portraits of Harlem residents.